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Showing posts with label Onesimus. Show all posts
Showing posts with label Onesimus. Show all posts
Sunday, March 4, 2012
Tuesday, January 10, 2012
Studio and Painting in Progress
We have cleaned out the end of the garage and have turned it into a "studio", This photo is an overview (featuring the front of my car in the foreground).
This photo is a close up of a workbench that I'm currently using.
This is the latest stage of a painting in progress. An earlier stage is illustrated in the previous post.
This photo is a close up of a workbench that I'm currently using.
This is the latest stage of a painting in progress. An earlier stage is illustrated in the previous post.
Tuesday, January 3, 2012
Flimsy and unstable, but cheap.
During the Christmas/New Year Break I made a start on the biggest painting I’ve attempted. Until now I’ve used small canvases and canvas boards. At times I felt restricted by the size of the canvas which tended to make me strive for more “neatness” and cleanness than I felt capable of achieving.
As a trial I bought some large, cheap cardboard sheets and moved my “studio” away from the dining table to the garage floor.
This trial has probably been inspired to a degree by the work of Ian Fairweather, a recently discovered favourite of mine, who painted on some very flimsy and unstable materials. If it was good enough for him, and the galleries who bought his work – surely cardboard is a good enough medium for a beginner’s trial and error attempts to learn how to paint.
So far I’ve enjoyed the exercise and see its value. It has allowed me a greater freedom at little cost and I haven’t felt the restraint of trying to fit a big idea into a little space. I’ve also felt less need for neatness. Smudges, inconsistencies and crooked lines don’t seem to matter so much on the larger surface. So far the only drawback has been the cardboard’s desire to curl due to the wetness of the paint and, I assume, the atmospheric humidity.
The work in progress is looking very rough, but it is showing me the possibilities and giving me the confidence to invest in more suitable, yet more expensive, materials to create something with more permanence. I can also see the possibility of experimenting with ways of improving the weaknesses of what I’ve done so far, and because the cost has been minimal, I don’t have so much pressure to get it right.
As a trial I bought some large, cheap cardboard sheets and moved my “studio” away from the dining table to the garage floor.
This trial has probably been inspired to a degree by the work of Ian Fairweather, a recently discovered favourite of mine, who painted on some very flimsy and unstable materials. If it was good enough for him, and the galleries who bought his work – surely cardboard is a good enough medium for a beginner’s trial and error attempts to learn how to paint.
So far I’ve enjoyed the exercise and see its value. It has allowed me a greater freedom at little cost and I haven’t felt the restraint of trying to fit a big idea into a little space. I’ve also felt less need for neatness. Smudges, inconsistencies and crooked lines don’t seem to matter so much on the larger surface. So far the only drawback has been the cardboard’s desire to curl due to the wetness of the paint and, I assume, the atmospheric humidity.
The work in progress is looking very rough, but it is showing me the possibilities and giving me the confidence to invest in more suitable, yet more expensive, materials to create something with more permanence. I can also see the possibility of experimenting with ways of improving the weaknesses of what I’ve done so far, and because the cost has been minimal, I don’t have so much pressure to get it right.
Monday, December 12, 2011
Crossing Jordan
I like the idea of this painting but I didn't get it right. I'd like to try it again one day, maybe on a bigger canvas. The addition of "Jericho" in the top left didn't do this attempt any favours - it merely threw the perspective even further out. However, I REALLY like the colour of the ground. I think I learned a lot through my use of the paint there.
Tuesday, October 4, 2011
...wonders in the heaven above...
I will show wonders in the heaven above
and signs on the earth below,
blood and fire and billows of smoke.
The sun will be turned to darkness
and the moon to blood
before the coming of the great and glorious day of the Lord.
And everyone who calls
on the name of the Lord will be saved.
Monday, August 22, 2011
Monday, August 15, 2011
Monday, August 8, 2011
Painting Scripture
In the Beginning
The Word of God
Broken Body Shed Blood
Pentecost
Vessel
Believe
They Pierced His Hand
The Word of God
Broken Body Shed Blood
Pentecost
Vessel
Believe
They Pierced His Hand
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